Indian cinema is progressing with each passing day, and biopics are adding more color to its growth. The success of movies based on real people proves that this mantra works rather well. The real stories of real people take us through their lives and teach us, inspire, and motivate us in many ways.
Our love for biopics is relatively new, and our audience has also become more specific in their approach when it comes to watching movies. A few movies have managed to show not-so-sanitized versions of an individual’s life. When you reach a level of fame, there are scandals and controversies that not many filmmakers manage to depict in the right manner. However, a few have created a benchmark and made an impact on the biopic genre of Hindi cinema.
Sanjay Dutt has carried on with his significant dubious life. Actor Ranbir Kapoor, with direction from Rajkumar Hirani, revived his biopic named Sanju; the film proceeded to get one of the highest-grossing Indian movies ever.
At the time of the film’s release, the creators shared a video displaying Ranbir’s change, both physical and with the assistance of prosthetics and cosmetics, for the transformation: Ranbir Kapoor looked so persuading that after one point, he began looking more like Sanjay Dutt and less like himself.
Aligarh’s co-writer and manager, Apurva Asrani, utilizes the verifiable truths of the Siras episode to introduce a personal representation of a person’s battle against dismissal and depression. Siras, delightfully played by Manoj Bajpayee with disobedience touched with sadness, doesn’t like being called gay, although that is what he is.
The film is incredible, about a man who prefers the shadows instead of the glare of the spotlight. Mehta and Asrani set forth the message of the individual as political with as much restriction as is conceivable in a mainstream film.
Bandit Queen is a biopic based on the being of Phoolan Devi. Coordinated by Shekhar Kapur, the biopic stars Seema Biswas in the lead role and explored the issues of sexual humiliation by upper-caste men, child marriage, and orthodox society.
The film met with a ton of debate in light of its glaring substance. Nonetheless, the film extraordinarily affects the crowd’s minds due to its solid plot and sensible exhibitions. It is an absolute must-watch for its challenging images and unique performances.
Paan Singh Tomar
The best position on this rundown belongs to Irrfan Khan starred as Paan Singh Tomar, which, as I would like to think, isn’t hands down the best sports biopic; however, the best real-life story film at any point made in Hindi film.
Directed by Tigmanshu Dhulia, Paan Singh Tomar is the tale of a steeplechase athlete who takes up the life of a dacoit after a family debate. Paan Singh Tomar wasn’t about a conventional ‘legend,’ yet the story offered a fascinating, concealed person as a hero, which caused his journey to feel genuine. Irrfan carried the movie on his shoulders under Dhulia’s direction and re-watching this film, to date, is just as fulfilling as it was the first time.
Directed by Ram Madhvani, the film is based on the life of Neerja Bhanot, the gallant flight attendant who was respected with the Ashok Chakra, for forfeiting her life while saving the travellers onboard a flight that terrorists seized in 1986.
Sonam Kapoor Ahuja’s exhibition procured her a special mention at the 64th National Film Awards. The film likewise won a National Award for Best Feature Film.
Perhaps the most mainstream sports biopics ever, Dangal followed the tale of the Phogat sisters and how they secured triumph after an intense fight.
Featuring Aamir Khan, Fatima Sana Shaikh, Zaira Wasim and Sanya Malhotra in lead roles, Dangal effectively explained the sport of wrestling to its audience. The movie also provided a narrative of the father-daughter relationship, which was essential in the lives of the Phogat sisters.
Bhaag Milkha Bhaag
Directed by Rakeysh Omprakash Mehra, the film is a sports biopic that portrays the journey of former runner Milkha Singh, his initial life in the military and how he battled all chances to turn into “The Flying Sikh”.
The film highlights Farhan Akhtar as Milkha Singh; and when the actor and former athlete met interestingly for the film, Farhan was even challenged by the legend of a race. Milkha Singh even introduced the shoes he wore during the Rome Olympics to Farhan at the hour of the shoot.
Budhia Singh Born to Run
Budhia Singh’s story left us astonished and caused us to accept that reality is positively bizarre indeed. This Manoj Bajpayee led film made him play Budhia’s mentor Biranchi and Mayur Patole, playing the long-distance runner.
The film had its heart in the opportune spot, even though it was very conflicting in numerous spots. A few subjects like the dope test, exploitation of a youngster, are introduced but never dealt with. Although it’s many ups and downs, the film won the National Film Award for Best Children’s Film.
The Dirty Picture
Ladies in Bollywood typically turn out badly in an aesthetic manner. At the most, they end up in bed with a person of colour, as in Fashion, to show how low they have fallen.
All things considered, prepare for the power of nature execution by Vidya Balan as Silk, she fakes an orgasm on screen, not once however twice; utilizes a cleavage that appears to be all normal; and allows everything to hang out in a real sense, attempting to get into pants with her stomach hanging out in free overlap over the top. She has no shame, and it’s gorgeous. Vidya Balan’s performance deserved a more satisfying film!
The Legend of Bhagat Singh
With his extraordinary appeal, Ajay Devgan gets everyone’s attention in the biopic The Legend of Bhagat Singh. The film gives the historical backdrop of the freedom struggle and makes you passionate to the fullest with superior performances.
It depends on the existence of Bhagat Singh, who sacrificed his life for the freedom of the country and is directed by Rajkumar Santoshi and stars Ajay Devgan in a lead character apart from others. The film keeps you hooked till the end with its perfect execution.
No One Killed Jessica
It’s difficult to shoot a film about a murder that has happened – and relatively recent past at that – and whose dramatis personae are as yet living. Raj Kumar Gupta’s No One Killed Jessica strongly endeavours this and with a reasonable amount of accomplishment.
The way that New Delhi model Jessica Lal was shot dead by a persuasive Minister’s child in an upmarket club run by a notable socialite only increased the film’s well-known assumption, and it opened to genuinely the great end of the week collections.
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